I'm a produced feature and television screenwriter with fourteen years of credits across Australia, the UK, and US streaming projects. I coach writers on story structure, character work, and the specific discipline of writing a pilot or feature script that will actually get read all the way through. I've been in three writers' rooms — two comedies and a limited drama — and survived all of them. The work I do with emerging writers is mostly about the second act problem (which is almost always a character problem) and about learning to cut your own work without killing it.